Bibliographer: Madeline James
Emma; Or, the child of sorrow
Traditional Description
Anonymous. Emma; Or, the child of sorrow. A novel. In two volumes. 1st ed. London: printed for T. Lowndes, No 77, in Fleet-Street, MDCCLXXVI. [1776].
EMMA; | OR, | The CHILD of SORROW.| A | NOVEL. | [horizontal rule] | In TWO VOLUMES. | [horizontal rule] | VOLUME I. | [horizontal line] | [knotted vine symbol] | [double horizontal rule] | LONDON, | Printed for T. LOWNDES, No 77, in Fleet-Street. | MDCCLXXVI.
I 247p; II 239p. 12mo.
Contents: Volume I. A1r title. B1r half title and half page of text. Volume II. A1r title. B1r half title and half page of text.
Notes: Epistolary. Sourced from the British Library. Digital facsimile retrieved from Eighteenth Century Collections Online. There is an illegible handwritten mark on the cover page. Volume II the B signature goes to B7v then back to B6r, though the text is continuous. Two of these pages are half pages.
My experimental bibliography attempts to capture that the novel, Emma; Or the child of sorrow, has lost its physicality, and that the memory of this novel, as a whole, has faded almost entirely.
I wanted to capture this in my experimental bibliography.
All that is left of Emma; Or the child of sorrow is obscure and digital. The novel no longer has a physical essence to capture, and even though the words still exist online, they have lost their salience in the world. To reflect this, I decided to keep my experimental description entirely digitalized, it is typed rather than handwritten and set over a photograph. The poem is not just about Emma; Or the child sorrow, but about forgotten novels in general, because this novel has become just one of millions of forgotten novels. In congruence with this idea, the photograph the poem is placed on top of is a faded out image of the novel. The novel itself is no longer important, and neither is its physicality, its importance lies in the millions of forgotten novels it represents.